Mawangdui as a Pictorial Site of Transition
No archaeological discoveries have provided more striking examples that demonstrate the excellence of early Chinese pictorial art than those at Mawangdui, dated to the second century B.C.E. However, scholars have exclusively focused on the famous T-banner from Tomb No. 1, ignoring the pictorial context in which it was situated. To amend the imbalanced scholarship, Professor […]