The tour is cross-platform and runs equally well on Apple Macintosh (OS X) or Windows computers. The tour requires QuickTime Player 6.5 or higher to operate properly. Use with earlier versions of QuickTime may result in improper performance or system crash.
The latest version of QuickTime Player is preferred, and can be downloaded free of charge from http://www.apple.com/quicktime.
Monitor resolution should be set at 1024x768 or larger, and the display color set to millions of colors or 32-bit color.
A broadband connection is highly recommended to download the interactive tour, which is 40Mb in size. Estimated download times include:
T1-LAN: 10 sec.-2 min.
DSL 1.5 mbps: 4-6 min.
DSL 1.0 mbps: 7-8 min.
DSL 512 kbps: 13-15 min.
Cable modem: 5-8 min.
56k modem: 2-3 hours.
To begin the tour, simply CLICK ON THE IMAGE ABOVE. If the QuickTime Player application is properly installed, that program will launch and begin the tour download. While you are waiting for the download to complete, you can read the instructions for using the virtual reality interface.
The project began in the summer of 2002 with a visit to the Wuzhai Shan site in Jiaxiang County, Shandong Province. Professor Barbieri-Low and Dr. Cary Liu, Curator of Asian Art at the Princeton University Art Museum, surveyed the site and made detailed measurements and sketches of the surviving carved stones. During a subsequent visit in 2004, Professor Barbieri-Low registered GPS readings of all the main features at the site, noting their position, elevation, and orientation.
Then, using 3D modeling software, Professor Barbieri-Low created wire-frame, computer models of each monument at the site, based on published measurements, photographs, and personal observations. The basic architectural reconstruction of each shrine was based on the published work of Jiang Yingju and Wu Wenqi. Professor Barbieri-Low then covered the surfaces of each model with scaled, partially-restored copies of the rubbings from the collection of the Princeton University Art Museum. A simulated stone texture was then created for the surface, using photographic samples of actual Shandong limestone. The monuments were then placed in a virtual landscape, whose basic features were based on published satellite photos of the site. The reconstruction of the overall layout of the cemetery was based on the position of standing monuments and tombs at the site, textual descriptions of similar cemeteries from the Shuijingzhu (Commentary on the Classic of Waterways), and on analogous cemetery sites excavated in Anhui Province.
The project was funded by generous grants from Princeton University Art Museum with funds from the J. Paul Getty Trust, the Central Research Development Fund of the Office of Research at the University of Pittsburgh, and the Asian Studies Center at the University of Pittsburgh.
Please direct any comments, suggestions, or corrections to email@example.com.
Educators who would like to acquire a standalone version of the tour for classroom use may direct their inquiries to the same address.
The interactive tour is © 2005 Anthony Barbieri-Low. Unauthorized duplication is a violation of copyright law. All the images of rubbings presented in the shrines are the property of the Princeton University Art Museum. The translations of inscriptions in the Wu Liang Shrine (Stone Chamber 3) are taken from Wu Hung, The Wu Liang Shrine (Stanford Univ.Press, 1989), with minor modifications. Site photographs were taken by Dr. Cary Liu in the summer of 2004. Beta-testing performed by Sheri Lullo, Ph.D. candidate, University of Pittsburgh.